The daughter of a Nigerian father and a German mother, Nneka Egbuna was born in Warri, Oil City in the Delta region of Nigeria at the height of its new found wealth in the mid 70's. For nineteen years she soaked up the sounds and rhythms of one of the most musical nations on the planet, a country where expressing yourself through song is just a part of everyday life, a country that has music in its very DNA, where the influence of giants like Afrobeat revolutionary Fela Kuti is never far away.

But at the age of 19 this modest and hard-working young girl made the big decision to leave behind the African way of life. To further her education, she moved not just to Europe but to Northern Europe, to the industrial seaport of Hamburg in Germany. For the young Nneka, it was a dramatic change, and there remains an intangible quality in her voice that speaks of being a long, long way from home. "The cultural differences between Germany and Nigeria were extreme," she says. "The way they dress, the way they carry themselves, their religion. So many things that were important to me are not important to them. For two years I was overwhelmed."

For all its innate musicality, Nigerian culture perhaps prizes education higher than any other achievement, and while Nneka was making her first demos and beginning to make waves as a performer, she was determined not to waste the stack of A-levels that she already had under her belt. Enrolled at Hamburg University, she continued to study for a degree in anthropology – no mean feat when you’re in demand at clubs and festivals from Paris to Lisbon, from Vienna to Madrid.

Every year since Nneka's musical career took off in 2005 when she released her debut album Victim of Truth (released in the UK in 2007), this Afro-German warrior princess has built on her successes, stretched her muscles, and widened her range. Victim of Truth, an inspirational mix of hot loops, black consciousness and 21st-century soul music - was garlanded with praise by the British media. "As good as The Miseducation of Lauryn Hill," said UK’s The Sunday Times.

Her sophomore release was every bit as lush and visionary as her first. A record where brains, beauty and beats collide, No Longer At Ease made its mark across Europe and beyond. It’s a record that Lenny Kravitz heard and said: "I want this girl opening my show!" It’s easy to see what got Lenny so animated. Nneka’s music has still got a big splash of Bob Marley in the recipe, a measure of Nina Simone and a lick of Erykah Badu. But this time around there’s more of the best ingredient – Nneka herself. Her first US release, Concrete Jungle is a collection of songs that put the singer/songwriter at the forefront. This album is an offering of love, hope and optimism dedicated to the people of Warri & the Niger Delta of Nigeria. Holding it all together is the emotional focus of her beautiful voice, located in a place somewhere between yearning and rage.

It's a testament to the strength of Nneka’s talent that her success so far is based on word of mouth, on the quality of her albums and the intensity of her live performance. She is not a big-label product, forced down people’s throats by marketing dollars. Her audience now numbers hundreds of thousands across two continents, for Nneka now divides her time between homes in Lagos and Hamburg. Those listeners are people who have tracked her down, because there will always be a demand for music that does more than just entertain, but touches something universal. As she puts it herself: “I do it in a sweet way - but I sing to speak the truth.”