Reminding us a bit of Kenna, British newcomer JAGGA wields his powerful voice to give us another moving track. "Hold Me" is loud, bold, expansive, and layered with JAGGA's resonant vocals resulting in a piercing listening experience.
The event will feature four stages spanning an array of electronic music with each one themed around an element (earth, wind, water, and fire). Music and art lovers can also look forward to themed installations, 3D video projection mapping, food trucks, Burning Man art cars, vendors, rides, slides, and aerial performances. It's about to get real serious!
ELEMENTS Outdoor Music & Art Festival
Saturday, September 21st
South Red Hook Grain Elevator
699 Columbia Street
Brooklyn, NY 11231
As we approach the 23rd anniversary of the very first Giant Step club, it’s only fitting that we highlight the historic night for this week’s Throwback Thursday! Join our President/CEO Maurice Bernstein as he takes us back to September 24, 1990 at SOBs. Were you one of the few that were with us in those early days? Tell us what you remember!
This was the very first flyer for Giant Step. After the success of the Groove Academy shows in the summer of 1990, our goal was to set up a weekly party that focused on the jazz and dance movement that we were familiar with in London. We were very influenced by Dingwall’s Sunday party and The Wag Club, which I used to go to when I lived in London and Jonathan Rudnick (Giant Step co-founder) had visited as well.
But we didn’t want to just do a straight version of that; we wanted to bring in the elements that were fundamental to New York – one being hip-hop music – so, we decided to mix jazz and hip-hop together. However, there was very little music like that at that time – there was Tribe that was mixing jazz with some of their hip-hop and Gang Starr had just done “Jazz Thing.” It was also tough to find DJs who really knew how to play the music and make people dance, plus there weren’t really records
I ended up picking DJ Smash who I used go hear at Save The Robots, which was a famous after hours in New York in the 80's. What I liked about Smash was his amazing music sensibility and knowledge, as well as his ability to mix anything, which is something that British DJs didn’t really have the ability to do. He was able to take original jazz records and mix them with hip-hop – exactly what we needed.
We were given Mondays by SOBs because it was a dead night for them. If I remember correctly, our original night had more people working than actual guests. Cool to note: there are in fact a few people who came to the opening who still come to Giant Step parties – Michael July is one of them. A lot of people claim to have been there in the early days, but I remember every single person that was there the first night because there weren’t that many of them.
Timeless Grammy-nominated soul and jazz singer/songwriter Gregory Porter recently released his third album, Liquid Spirit on Blue Note Records. Along with the help of Chip Crawford (piano), Emanuel Harrold (drums), Aaron James (bass), Yosuke Sato (alto sax), and Tivon Pennicott (tenor sax), Porter endeavors to display his humanity through authentic music. Touching on themes such as love, growing up, and the socio-political climate, succeed he does.
Watch the video below to get a behind the scenes look on the album making process from Gregory and his team.
And catch Gregory on his fall tour starting tomorrow! Tour stops include appearances in Los Angeles at the El Rey Theatre on September 25 and two New York City shows at Le Poisson Rouge in Manhattan on October 24 and Littlefield in Brooklyn on October 26.
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