Video: Alice Smith – “Fool For You” (Cee-Lo Cover)

 

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The magnificent Alice Smith seems to be back at it. After hearing rumors of comebacks for a minute, we’ve been holding on to hope for a while now. Everyone can now breathe easy with this new cover of Cee-Lo’s “Fool For You.” Damn, this little lady got some pipes, man.

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‘Red Hot + Rio 2′ In Stores Today + MP3

RH Loft Party: Mia Doi Todd + José González from Red Hot on Vimeo.

Red Hot + Rio 2 is out today! This modern tribute to the late 60′s Brazilian Tropicália movement sheds new light on the songs of this influential, politically charged era, which changed the culture of the country forever. Featuring an impressive 33 original collaborations between Brazilian legends and international indie artists alike, the album features: John Legend, Alice Smith, Aloe Blacc, Cults, Angelique Kidjo, Os Mutantes, Devendra Banhart, Caetano Veloso, Seu Jorge, Beck, Bebel Gilberto, José González, Beirut, Tom Zé, Javelin, Of Montreal, Marisa Monte, Madlib, and others. Red Hot + Rio 2 is the Red Hot Organization’s most recent project aimed raising money for HIV/AIDS awareness and prevention.

Mia Doi Todd + José González – “Um Girassol da Cor do Seu Cabelo” [MP3]
 

Purchase Red Hot + Rio 2 on iTunes | Amazon

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Red Hot + Rio 2 Out June 28th + Listening Party in LA

 

We at Giant Step are so excited about this release. Red Hot + Rio 2 is a musical compilation aimed at raising money for HIV/AIDS awareness and prevention. Succeeding the original Bossa Nova inspired 1996 tribute, Red Hot + Rio, this release pays homage to the late 60’s Brazilian Tropicália movement and sheds “new light on the songs of this influential, politically charged era, which changed the culture of the country forever.”

Featuring over 33 original collaborations between legendary Brazilian musicians and other international talents, Red Hot + Rio 2 will leave you overwhelmingly content with its audible treats; this roster showcases many beloved musicians, including Madlib, Bebel Gilberto, Quadron, José Gonzalez, Alice Smith, Beck, Seu Jorge, and John Legend, amongst countless others.

more + listening party after the jump

Red Hot + Rio 2 Coming This Summer


Red Hot in partnership with Entertainment One Music is set to release Red Hot + Rio 2 on June 28th. A modern tribute to late 60’s Brazilian Tropicália movement, the album will shed new light on the songs of this influential, politically charged era, which changed the culture of the country forever.

The Red Hot Organization is known for two (very important) things: 1/ having impeccable musical taste; and 2/ the ability to channel that taste into projects that successfully raise some serious money to combat HIV/AIDES. Compilations like Dark Was The Night (2009), and Red Hot & Riot (2002), all the way back to the first Red Hot + Rio (1996) have successfully raised over a million dollars and featured star studded line-ups that reminds one of the Grammys.

Red Hot + Rio 2 features over 30 original collaborations between Brazil’s legendary musicians and today’s international indie artists including John Legend, Os Mutantes, Devendra Banhart, Caetano Veloso, Dirty Projectors, Seu Jorge, Beck, Bebel Gilberto, José Gonzalez, Beirut, Tom Zé, Of Montreal, Marisa Monte, Gogol Bordello, DJ Dolores, Aloe Blacc, Angelique Kidjo, Rita Lee, Madlib, Money Mark, Céu, Apollo Nove, Mayra Andrade, Trio Mocotó, Tha Boogie, Alice Smith, Carlinhos Brown, Los Van Van, Brazilian Girls, Marcos Valle, St. Vincent, Neon Indian, Forró In The Dark, Mia Doi Todd, Javelin, and many more.

Check out Beirut’s lead singer Zach Condon’s cover of “O Leãozinho” (Originally sung by Caetano Veloso) after the jump.

More after the jump

Giant Step’s Resident 37: The Roots, Q-Tip, Estelle and More

By Mawuse Ziegbe

The holiday season is always a sickening deluge of parties, stiff “holiday cheer” (which I temper with stiff drinks) and a glut of obligations. In a year of highs (getting my own column, fluffing an increasingly enviable Afro) and lows (finally ending that relationship, trying not to strangle yokels at the day job) I needed the festive distractions of the silly season more than ever. I spent Thanksgiving in the ER grappling with my mother’s decaying health taking breaks only to try to coax her into retiring and to bitch about the lack of beer in the hospital gift shop. At dinner, I looked after my mother during one of those large family gatherings attended by old African aunties and uncles who think “my writing career in New York” is a euphemism for “hooking on Hunts Point.” I returned to New York only to field calls from relatives who dropped clumsy hints (“why don’t you move back to Boston and take of your mother?”) about how I should handle the situation. Hello stress-related acne.

Managing her health crisis from another state, doctors regarded me like a crackpot with reverse-Munchausen syndrome. After rattling off a list of concerns M.D.s would respond “well she looks just dandy! We sent her off with some Halls and a smile. To do any conclusive tests we’ll need her consent and $20,000 for a new vending machine in the break room. Where are you calling from again?” Doctors would announce to colleagues that I was her daughter from New York as if I wasn’t interested in her well-being but instead looking for the right moment to steal her wallet. Between witnessing my ever-fabulous mother (we used to get mistaken for sisters until, well, I moved away) fade into a shadow of her former self and dealing with residents who act like they got their book-learnin’ from the Fisher Price School of My First Malpractice Suit, I needed some cot-damn holiday cheer.

The only fete I could drag myself to was the Okayplayer and Frank 151 bash at B.B. Kings. The lineup was like The Roots Present Everyone They’ve Ever Met – EVER. Melle Mel milled about in a white suit that can only be described as “pimpalicious.” After a tepid set by Tanya Morgan featuring 88 Keys and a jazzy appearance from Alice Smith, Res and Talib Kweli satisfied fans with “Get By” and “We Got The Beat.” When The Roots began rocking the frenetic thump of “You Got Me,” we knew it was time for an extra special female guest. Out came Estelle with a completely uncalled-for bowl cut. Despite the “Family Ties” hair, she delivered a dubby version of the classic Roots joint and segued into her dubby single, “Come Over.”

After The Roots performed Fela Kuti’s “Beasts Of No Nation,” Bilal, looking and sounding like the bastard love child of Melvin Van Peebles and Prince, howled his way through an epic rendition “Soul Sista.” Q-Tip performed “Manwomanboogie,” “Gettin’ Up” and a few gnarly freestyle bars. Pharoahe Monch and Black Thought joined in and then, smooth as pie, Q-Tip swapped drumming duties with ?uestlove. So then, it’s ‘Tip on drums, Thought on the mic and my jaw on the floor. I left around 2 AM with the plucky tones of The Roots’ “Next Movement” as my traveling music.

I dread it every year but in 2008, I learned that the holidays can always be worse. So bless The Roots, a band that has given me countless memories that don’t involve congested shopping malls and tense family moments. Bless the friends who have been able to slip in a festive distraction here and there. And bless my ma, whose wallet I hope to make off with come Christmas morn.