Upcoming Shows at The Beach at Governors Island

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The Beach at Governors Island is not messin’ around with their concert line-up this summer! Check out these upcoming events: N.E.R.D & Asher Roth, Lupe Fiasco and Brazillian Girls.

Read More and Buy Tickets:

Sept 9 – N.E.R.D. with Asher Roth

Sept 19 – Lupe Fiasco

Oct 2 – Brazillian Girls

Giant Step’s Resident 23: Little Jackie, Brazilian Girls, Platinum Pied Pipers, Wale and Blu

Photo of Wale at SOB’s © Antwan Duncan

By Mawuse Ziegbe

On Thursday, I learned something: Steve Madden is a real person. I just never saw that coming. But he is real and showed up to the Giant Step Little Jackie party at the Steve Madden store in the L.E.S. He and other non-imaginary people came to see Little Jackie perform acoustic renditions of their playful repertoire from their new album, The Stoop. Little Jackie’s wily frontwoman Imani Coppola, who often misbehaves in concert (much to my personal glee), played a restrained yet enjoyable set, including songs “Guys Like When Girls Kiss” and “28 Butts.” She seemed like she wanted get into some trouble (maybe knock over a sandal display or throw a bag of peds in the air) but she played the good girl role quite well.

On Friday, a girl I know, let’s just call her Bawuse, had a horrible time at the Brazilian Girls show at Prospect Park. She went out with a nice enough fella whose friends deployed one of the most effective cock-block campaigns in modern history. He introduced Bawuse to one friend who gave her the side-eye. Bawuse learns later, that she’s the friend of an ex-girlfriend which made Bawuse an enemy most foul. Another friend took creepy pose pictures and grilled her on reasons why she and her date weren’t going home together. You know those great, successful people who are chronically single? Bawuse learned there is no easy way of saying, “if you ever want to get some, throw your friends off a bridge.” As far the Brazilian Girls’ actual show, Bawuse thought the cavernous annals of Prospect Park engulfed the ambient rhythms and frontwoman Sabina Sciubba’s subtle and cozy vocals. But Sciubba was all types of fierce in a dress that looked like an angular cream-puff and the pillars of smoke that flared up from the crowd when Sciubba sang “pussy, pussy, pussy marijuana” made Bawuse giggle.

I spent most of Saturday getting my sloth on. I blew a couple hours gossiping in the park and then I got some cake. Cake with frosting. But for serious, I really got going when I saw Platinum Pied Pipers at Southpaw. They were dressed in pimpalicious shades of Dover like they just left a white party thrown by Sly Stone. And they brought the partaaay with three live-ass singers and bucket loads of joy. They rounded out the half-hour performance with their clangy cover of Paul Simon’s “50 Ways To Leave Your Lover.” Mostly, I had fun because they had fun. So snaps in a circle to artists with job satisfaction.

Sunday, I hit the Afropunk block party featuring The Ceasarz, J*Davey and Kudu (Oh, and am I the only one starting to feel out of place at summer shindigs because I don’t have an Afro and a toddler?).One of my favorite underrated bands, The Carps brought their crazy Canadian ways to Clinton Hill. They had this weird robbery interlude that they reenacted live which made my head hurt. They sang their Bel Biv Devoe-meets-Poison track “Compton To Scarboro” and some new ish I didn’t recognize. They bounced between instruments with Jahmal singing and drumming and Neil strumming and tinkling. Snaps in a circle to the duo for embodying the colloquialism “hold it down.”

Later, Wale and Blu tore up S.O.B.s. Blu had the audience swooning over his snappy rhymes and Exile flashed his turntabling skills. Skillz threw down with a surprise performance and Talib Kweli jumped in the last song. But Kweli didn’t like, rap or anything. He just yelled a few “yeahs” and left the stage like nothing happened. Awk-ward. Then Wale came out. For someone whose image is so swaggerific, he was refreshingly democratic with his stage show. He kicked his rhymes, including his verse from his Roots collabo “Rising Up” but he was mostly recounting the history of go-go and letting his band and DC group UCB shine. At one point he stopped to answer a text but I didn’t mind, because he set up a machine of musicians who kept it jumpin.’ I’ve been to many shows where I’ve stared at some rap music singer pacing about and have wanted to shoot a crossbow in my eye. So, snaps to artists with the confidence to let the music take center stage.

Giant Step’s Resident: The City, The Sounds, The Soul Part 14

Photo © Collin LaFleche

By Mawuse Ziegbe

You know that part in The Wiz when Evelline dies and all the workers unzip their fug suits and reveal themselves to be finely crafted specimens of muscular excellence swathed in cherubic linen? That’s how I felt this weekend. The sun finally dropped its deadbeat ways and while picking out miniskirts on Sunday, I felt like a liberated Oz worker.

The journey to freedom started with an acoustic set featuring Van Hunt at soul haven, S.O.Bs. Van is one of my favorite artists ever. Take a whole mess of grunting, sweaty Prince, mix in the panty-droppin’ falsetto of Maxwell and toss on stage. With no band and just his guitar and piano, he strummed and hummed through songs like “Hot Stage Lights,” “Dust,” “Being A Girl,” “Character,” and “Down Here In Hell.” All the while, he regaled the army of Van nuts with tales about everything from his penniless musician days to getting his dranky drank on. Sadly, he didn’t play his last Blue Note single, “The Lowest 1 Of My Desires” but he did take it back to the Dionne Farris slow jam “Hopeless” from the Love Jones soundtrack.

Friday night, I hit up Madison Square Garden to take in a performance from some rapper named Jay-Z and this rhythm and blues singer, Mary J. Blige. I think they’re big on the internet or something. But for serious, I’d never seen Mary in concert and only one word can describe her performance: Wooo!! Homegirl was squatting and bellowing hits like “Real Love,” “Be Happy,” and “Work That.” She shouted out celeb pals in the audience (Oprah, Jodie Foster) and ended the set with “Just Fine,” replete with hair-singeing pyro. “Lil’ Project Mary J. Blige” – as she charmingly referred to herself – put the “hot damn!!” in the Heart Of The City Tour. Sadly, Jigga was packing more “ho-hum” than heat. His set, although peppered with hits like “Can I Get A…” “H to the Izzo” and “Give It To Me,” withered into tedium. I genuinely screamed when Beyonce swished on stage for a 10-second booty wiggle but that’s only because I was really bored.


Photo © Collin LaFleche

The summer continued to blossom anew as Studio B unveiled its spiffy new rooftop with a par-tay featuring NuBlu stalwarts Brazilian Girls. Getting to the venue was on some ‘ol MacGyver foolery (Dear G Train: Get it together!) but I slid into the B’girls set just as they were in mid-song and the crowd was in mid-rapture. This night had a gang of potential. But, Spank Rock , who always brings sunny, good-natured debauchery, had to bow out due to illness (Curses!). The rooftop we were feting became too crowded (Rats!) and the music was almost amazing. However tinny, crowd-thinning tracks were not mixed out quickly enough (Foiled Again!).

I wrapped up the week with a beer at Habana Outpost, which is basically day camp for Brooklynites. Swiggin’ my draft in the cool night air, I knew that summer, in all its blockbuster tour and rooftop splendor, was finally rolling in. I felt like I could unzip my face and toast to a brand new day. Bring on the flying monkeys.