Featuring the mighty Shuggie Otis, the mesmerizing Jose James, and the stage-wrecking Hiatus Kaiyote, our SummerStage presentation this year is a true testament to the breadth of Giant Step's heritage. And if that weren't enough, DJ OP!, one of our favorites, will be setting the tone in the very best way to help set things off.
Be sure to join us on August 11 for a day of family fun in NYC!
SummerStage w/ Shuggie Otis, Jose James, Hiatus Kaiyote, & DJ OP!
Sunday, August 11
Central Park SummerStage
72nd Street Entrance, Mid-Park
New York, NY 10023
Pretty exciting news that the much loved Hiatus Kaiyote will be re-releasing their Tawk Tomahawk debut on July 16 with Sony. To go along with the release is a new version of "Nakamarra" featuring none other than Q-Tip, who simply compounds the flavor on one of our favorite Hiatus songs.
This past week's edition of the Worldwide Show with Gilles Peterson starts off with a sultry, brass interpretation of Kendrick Lamar's "B*tch Don't Kill My Vibe" from Austinfa jazz producer Sly5thAve. The eclectic grooves continue with a Ras G triplet, Ghostface Killah double, and a hip-hop throwback in "The Do Over" section with Public Enemy.
Gilles also presents a mixtape from global soul quartet, Hiatus Kaiyote, featuring tunes from fellow Aussies Ainslie Willis, Clever Austin, Electric Sea Spider, and more. Hiatus have been riding a wave of success recently that has included acclaim from icons such as Erykah Badu and ?uestlove, as well as a sold-out NYC debut at Le Poisson Rouge in March.
Stream Gilles' latest show and more below.
Gilles' most recent shows:
For a band that formed in 2011 and released their first album less than a year ago, Hiatus Kaiyote has enjoyed a whirlwind of accomplishments in a remarkably short period of time: a backstage serenade of their own song “Nakamarra” by Erykah Badu at SXSW; a long and forceful reiteration of support from ?uestlove at his party at Brooklyn Bowl; a sold-out show at their debut performance in New York City.
Hiatus Kaiyote, comprised of Nai Palm, Simon Mavin, Perrin Moss and Paul Bender, is also a perfect example of the limited utility of the “genre” in characterizing an album’s sound or capturing its integrity. But nonetheless, the sources of inspiration for their music are unmistakable. “Atari” takes cues from Flying Lotus’s fractal spidering of digital sounds. The keyboard section on “Jekyll” draws inspiration from Fela Kuti and afrobeat. The woozy space sounds of “Shaolin Monk Motherfunk” are reminiscent of Erykah Badu’s latest album, New Amerykah Part 2. And Nai Palm herself sounds like a blend of Lauryn Hill and Amy Winehouse.
Their inaugural performance at LPR was also remarkable for the depth and loyalty of the fan base they’ve already amassed. Here’s what some fans had to say of last night’s show:
Naikhoba Munabi: “The power of the performance was in the immersive experience. It felt like performance art. Each song individually carries its own weight, but the concert felt like a complete feast as opposed to just one ingredient or one meal. Also, sonically, their tones are extremely well refined so that no one artist is the star of the band. All four of them complimented each other so well and fit together seamlessly. When you listen to their music, it consumes you; I felt like I was a part of it.”