Throwback Thursday: New Music Seminar Showcase @ Sweet Jane – June 17-20, 1992

 

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For this week’s Throwback Thursday, Giant Step President/CEO Maurice Bernstein takes us back to the 1992 New Music Seminar series of events we held at Sweet Jane, which culminated in a huge night with Atlanta band Arrested Development.

For a period of time in the summer of 1992, Giant Step weekly relocated to a venue called Sweet Jane that is today the Jane Hotel (legend has it that that was where survivors of Titantic where brought after the fatal accident). There was a large room, which was a like an old ballroom where somebody ran a club – I don’t remember his name, but he was a shady guy at the best of times. Actually, I think his name was Guy (maybe some of the old timers can jog my memory).

Every summer in New York there used to be something called the New Music Seminar, and that year we put together four nights of Groove Academy and Giant Step shows. This was our second year putting on events during New Music Seminar – the first year we had held our events at the Village Gate and will feature that one soon in this series.

It was a pretty big undertaking putting together four nights of music. The first night we had ED O.G and da Bulldogs, a live hip-hop band called SSL, which stood for Smoking Suckers With Logic, a band called Lovehead who were a local band, and Pal Joey, the DJ who produced the track “Hot Music.”

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Video Premiere: Mark de Clive-Lowe – “Hot Music” (by Soho) + ‘Church’ Album Kickstarter

 

This fine Monday we are proud to premiere the first of an awesome series by Mark de Clive-Lowe. In what he calls the One Take series, Mark creates music from scratch in just one live film take. The first of the four videos shows the brilliant DJ/producer recreating, remixing, and deconstructing the club classic “Hot Music” by Soho. His tools include a grand piano, drum machine, keyboard and two Korg Kaoss Pads. Join Mark each week as he unveils a new video and continues to awe us just that much more!

We’re also proud to help announce the launch of Mark’s Kickstarter campaign for what will be a Church album! The album, as you might guess, is based off of the inimitable NYC and LA parties by the same name. Contributors to the campaign will have the opportunity to pre-order the album, receive back catalog USB drives, lifetime show tickets for anywhere in the world, private lessons from the man himself, and quite a bit more!

Contribute to Mark’s Church album Kickstarter campaign!

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Throwback Thursday: The Very First ‘Giant Step’ @ SOBs – September 24, 1990

 

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As we approach the 23rd anniversary of the very first Giant Step club, it’s only fitting that we highlight the historic night for this week’s Throwback Thursday! Join our President/CEO Maurice Bernstein as he takes us back to September 24, 1990 at SOBs. Were you one of the few that were with us in those early days? Tell us what you remember!

This was the very first flyer for Giant Step. After the success of the Groove Academy shows in the summer of 1990, our goal was to set up a weekly party that focused on the jazz and dance movement that we were familiar with in London. We were very influenced by Dingwall’s Sunday party and The Wag Club, which I used to go to when I lived in London and Jonathan Rudnick (Giant Step co-founder) had visited as well.

But we didn’t want to just do a straight version of that; we wanted to bring in the elements that were fundamental to New York – one being hip-hop music – so, we decided to mix jazz and hip-hop together. However, there was very little music like that at that time – there was Tribe that was mixing jazz with some of their hip-hop and Gang Starr had just done “Jazz Thing.” It was also tough to find DJs who really knew how to play the music and make people dance, plus there weren’t really records

I ended up picking DJ Smash who I used go hear at Save The Robots, which was a famous after hours in New York in the 80′s. What I liked about Smash was his amazing music sensibility and knowledge, as well as his ability to mix anything, which is something that British DJs didn’t really have the ability to do. He was able to take original jazz records and mix them with hip-hop – exactly what we needed.

We were given Mondays by SOBs because it was a dead night for them. If I remember correctly, our original night had more people working than actual guests. Cool to note: there are in fact a few people who came to the opening who still come to Giant Step parties – Michael July is one of them. A lot of people claim to have been there in the early days, but I remember every single person that was there the first night because there weren’t that many of them.

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