Esperanza Spalding‘s release date is quickly approaching (this Tuesday), and now she’s on NPR with a review and full-album stream. Today is the last day to listen, so head to NPR now for a glimpse at the future of Jazz.
After giving an amazing performance last week in Boston at the beautiful Woodward at Ames, José James zipped back to New York City to make an appearance later that week at the Lincoln Center. Along with Robert Glasper and Bilal on the bill these gentlemen thrilled the audience and made very clear, just how unclear the line between jazz and soul can be. Check out what the New York Times had to say about him, and about the re-emergence of jazz in the mainstream.
Our friends at Daptone Records have a new release out this week: the third album from Budos Band, titled Budos Band III. Produced by Bosco Mann and TNT at “House of Soul Studios” in Bushwick, Brooklyn, the band’s third full-length studio effort was conceived during weekly, beer-fueled Staten Island writing sessions – as well as more than 150 live gigs over the last two years – and recorded during a 48 hour period in January 2010.
If the menacing album art, which features a cobra primed for the attack, is any indication of the music itself, we can expect an all out assault of the senses, with a tendency towards the venomous and psychedelic.
The Budos Band: “Unbroken, Unshaven” [MP3]
Get the album directly from Daptone for vinyl with exclusive non-album tracks and more.
The innovative album that combines jazz, folk, and world music with the enduring foundations of classical music will hit shelves August 17th via Heads Up International, a division of Concord Music Group. Chamber Music Society features the legendary Milton Nascimento, pianist Leo Genovese, and vocalist Gretchen Parlato, among others.
“It’s clear Esperanza’s definitely got game – and has no hang-ups about showing it.” —Vibe Magazine
“Whether exploding into vocalese or making her bass solo sound like a horn, she’s a spark plug who dances as she grooves through a funked-up and rocked-out repertoire.” — Billboard “Faces to Watch”
“Esperanza has got a lot: accomplished jazz improvisation, funk, scat singing, Brazilian vernacular rhythm and vocals in English, Portuguese and Spanish. At its center is a female bassist, singer and bandleader, one whose talent is beyond question.” — New York Times