Photo of ?uestlove and Black Thought at Sutra © Michael July, Natural Light Studio
By Mawuse Ziegbe
This week, I’m summoning my awesome power as an online columnist and declaring Chin Chin your new favorite band. You kids pouting over the loss of Jamiroquai’s squirrelly baselines, buck up. And those who wish they could understand the cheeky lyrics that pepper the slinky disco of Los Amigos Invisibles, calm down. Chin Chin is here with a boatload of soul as their Tuesday night album release at Union Pool demonstrated. All warbling Rhodes disco featuring support from bubbling soul singer, Jesse Boykins. And the lead singer made it work in a satiny kimono. Genius.
Wednesday evening, Pharoahe Monch touched down at SOBs for some fun and games. He launched right into tracks like “Welcome To The Terrordome” “Let Go” “Got You” and “The Light.” About half-way into the set he stepped back and BK MC Talib Kweli bust out with a couple verses of his rally song “Hostile Gospel.” Of course Monch wrapped it up with the crowd favorites: the velvety “Desire” and the menacing, super hit “Simon Says.” The highlight of the show however, was Pharaohe’s backup singer who turned the stage into a pulpit, lighting up the stage with electric, churchified wails.
And bless jaded co-workers who think Erykah Badu tickets are soooo whatevs. On Friday one such co-worker ambled by, waving a ticket and noted, “you like The Roots, right?” Well, no duh. The concert was stunning for a couple reasons. One, I ain’t ne’er been to no Radio City Music Hall so I got a kick out of the vaudevillian drapery that even made the ginormous flat-screens all pretty-like. Two, I ain’t ne’er been to no Erykah Badu concert. She had a little on stage work station complete with a laptop, synth and thermos where she worked her wizardry. Most Erykah fans are madly in love with her and if “On & On” is like the first kiss then “Otherside of the Game” is like the first time you made love. On stage, the former was sprightly, the latter sensual. She also did extended versions of album cuts like “Orange Moon” and “Green Eyes.” And ooh chile, the performance art on “Green Eyes” is worth the ticket alone. Best $100 my co-worker has ever spent.
Photo of Mos Def and Rich Medina at Sutra © Michael July, Natural Light Studio
Afterwards, I checked out the URB Magazine after party featuring DJ Spinna and ?uestlove on the decks at Sutra. I’m really beginning to think there are multiple ?uestloves because in the 30 minutes it took me to get downtown, homeboy was well into a dizzying set of top shelf mid-90s hip hop (Biggie, Guru et al). ?uest took the top floor, Spinna took the basement and between the two everything from Jade (Don’t Walk Awaaay boy) to Janet pumped through the speakers. And it wouldn’t be Spinna party without the never-ending Prince vs Michael debate on the dance floor. Even Mos Def made an appearance. But I think the week belonged to Louie Vega. People were lined up around 5:45 before the 6pm kick-off at the Hudson and Louie wasn’t afraid of no disco heat. He served up sizzling hits like Jackie Moore’s “This Time Baby” and Cher‘s “Take Me Home.” Overness. People just couldn’t keep their feets still. Like this guy:
Photo © Phillip Angert. View more photos.
But our Dancers Of The Week were couples who epitomized the decorous yet sassy partner dances of the disco heyday. The Hustle anyone? Lauren
Favorite chunes: Samba
Day Gig: Consultant
Jammy Jam: “Time Warp” by Eddie Grant