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Congotronics 2
CD Released: Feb 21, 2006 Released By Crammed Discs BUY NOW |
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The Konono N°1 album ('Congotronics 1') has given worldwide exposure to the strange and spectacular electro-traditional mixtures which are being concocted in the suburbs of Kinshasa, Congo. World music, electronica and avant-rock aficionados have been equally amazed by this otherworldly music, which has driven the international press to come up with extremely surprising comparisons (from Can and Krautrock to Jimi Hendrix, Lee Perry and proto-techno!)
Hot on the heels of Konono Nº 1, here comes a fresh selection of even more amazing sounds, courtesy of no less than seven electro-traditional bands from Kinshasa, which have all been especially recorded and produced by Crammed’s Vincent Kenis: Sobanza Mimanisa, Kasai Allstars, Kisanzi Congo, Masanka Sankayi, Bolia We Ndenge, Basokin, Konono N°1 and Tulu (only on the DVD)
These bands all draw on traditional trance music, to which they’ve incorporated heavily-distorted sounds generated by DIY amplification of their instruments... just like Konono N°1, except that, as the musicians come from various geographical and cultural backgrounds (Kasai, Lake Mai Ndombe, Bacongo province), they use very diverse rhythms, timbres and instrumentation: the trademark electrified thumb pianos and megaphones are joined by an array of buzzing drums, swirling guitars and hypnotic balafons.
The 'Congotronics 2' album also includes a 41-minute DVD based on material filmed by Vincent Kenis while he recorded these bands in Kinshasa, and edited by Elsa Dahmani.
The subtitle of this album hints to the legendary Ali-Foreman boxing fight which took place in Kinshasa in 1974 and was nicknamed "Rumble In The Jungle." James Brown, BB King, the Fania All Stars and Myriam Makeba performed there around that event, which had a deep impact on a whole generation of young Congolese musicians and fans.
"Stick on the nine minutes of opener Lufuala Ndonga, turn the bottom end up and stand back. What happens next is unbelievable." — Mojo
"The result of this mix is music that makes surprising sense to fans of electronic music and experimental rock." — New York Times
"Among the most fascinating music I've heard and deserves a listen by anyone with even the remotest interest in the possibilities of sound." — Pitchforkmedia.com










